The Girl With a Pearl Earring depicts a European girl wearing an exotic dress, an oriental turban, and a large pearl earring. The work is oil on canvas and is 44.5 cm high and 39 cm wide. It is signed “IVMeer” but not dated, and is estimated to have been painted around 1665. It resides in The Hague, at the Mauritshuis, where it has been since 1902.

Vermeer wasn’t prolific, with only 36 paintings having been attributed to him, but his mastery of lighting has made him a highly regarded, and this particular work, a ‘tronie’, is considered his masterwork. The dark background originally had a green hue, created using a glaze, but the organic pigments used have long faded.

The Salvator Mundi (“Saviour of the World”) is a painting generally attributed, either wholly or in part, to the Italian Renaissance master, Leonardo da Vinci, circa 1500. It depicts Christ giving a blessing with his right hand while holding a transparent, non-refracting crystal orb in his left, signifying his role as the ruler of the cosmos. Long believed lost, the panel painting was rediscovered in 2005, heavily overpainted, and subsequently underwent extensive restoration. Its authenticity as a work by Leonardo has been controversial among art historians, with some suggesting the master painted only specific passages or that it’s a work by his studio.

Despite the debates over attribution and its poor condition, the painting garnered worldwide attention when it was auctioned by Christie’s in New York in November 2017 for $450.3 million, setting a world record for the most expensive painting ever sold at public auction. It is one of fewer than 20 surviving paintings generally accepted as being from Leonardo’s own hand.

Sunflowers is the name of two series of still life paintings by the Dutch painter Vincent van Gogh. He painted the first series, which depicted the sunflowers laying on the ground, while in Paris. The second series, painted a year later in Arles, has the sunflowers arranged in a vase, and it is this version that has achieved cult status in the art world.

Vincent Willem van Gogh was born 30 March 1853 and the Dutch post-impressionist painter went on to create around 2,100 artworks, including 860 oils, before his death by suicide at just 37 years of age. Most of his work, including landscapes, still lifes, portraits and self-portraits, were created in the last two years of a life marred by mental illness and poverty.

The definition of a troubled artist, van Gogh worked as an art dealer, travelling extensively in Europe, and it wasn’t until 1881, just 9 years before his death, that he took up painting. His work became characterised by bold colours and dramatic, impulsive and expressive brushwork, which became very influential in the modern art movement. Today, his work occupies a rarified place and many are amongst the most expensive works ever sold. The Van Gogh Museum in Amsterdam currently holds the world’s largest collection of his art.

The Birth of Venus is a renowned painting by the Italian Renaissance artist Sandro Botticelli, completed around 1484-1486. It depicts the goddess Venus arriving at the shore after her birth, standing on a seashell in a composition that combines classical mythology with Renaissance artistic ideals. The central figure is the nude Venus, whose pose echoes classical sculpture, specifically the Venus Pudica type. To her left, the wind gods Zephyr (accompanied by Aura, or perhaps Chloris) blow her towards the land, scattering roses in their wake. To her right, a waiting nymph, often identified as Pomona or a Hora (Goddess of the Seasons), stands ready to cloak her with a richly embroidered mantle.

Commissioned by the Medici family, likely Lorenzo di Pierfrancesco de’ Medici, the work is celebrated for its ethereal beauty, idealised figures, and sensual yet academic portrayal of pagan subject matter. It’s an early example of painting on canvas in Tuscany and is now displayed in the Uffizi Gallery in Florence.

Undoubtedly one of the world’s great painters, Oscar-Claude Monet was the French painter that helped found, and gave the name to, the impressionist art movement. Impressionism has, as its central philosophy, the idea that art should take human perception, especially of nature, as a defining quality. They’re almost like snapshots, taking into account the interplay of light on the subject, and taking less formal perspectives.

One of Monet’s great passions was his garden in Giverny, Northern France, which had a huge garden with a water-lily pond. As a result, he took water lilies as a subject, producing over 250 paintings of them in the last 30 years of his life. They sit in many museums around the world, occasionally coming up for auction, where they attract huge attention, and massive sale prices, up to a staggering $54m.

Painted in the late 1470s/early 1480s, Primavera (‘Spring’ in Italian) is a huge painting of 3.14 x 2.02 metres, produced in tempera paint by Sandro Botticelli. The work is a collection of nine figures from antiquity in a woodland setting, who are, from right to left, Zephyrus grasping the nymph Cloris, Flora, Venus (set back from the others), the Three Graces, and then Mercury on the far left. A blindfolded Cupid hovers above. It’s am unusual mix by Renaissance standards.

The painting is remarkable for its botanical accuracy, and there are said to be over 500 plant species represented, including around 130 flower species. Obviously you won’t see that on the coin, which has the painting reduced from 3,140 mm to just 74 mm, but it’s astonishing regardless. The work may have been commissioned by one of the famous Medici family, and has spent most of its 550-year life hung in the same place as Botticelli’s other famous painting, The Birth of Venus, and that remains true to this day, as they both hang in the Uffizi Gallery in Florence,

Another incredibly famous painting, The Last Supper is one of the few works finished by Leonardo da Vinci, and was completed in 1498. It was commissioned by Leonardo’s patron, Ludovico Sforza, the Duke of Milan, as part of the renovations to the Convent of Santa Maria delle Grazie, in Milan. The original painting, of which little remains, is 4.6 metres high, and a massive 8.8 metres wide, and is painted as a fresco, directly onto sections of wet plaster laid each day. This is one of the main reasons the work has degraded so badly, and required extensive, and only partially successful, restoration.

The Last Supper depicts the moment Jesus is said to have revealed which of his twelve apostles had betrayed him, and is a study in how each reacted to the news. It was a widely lauded work in its time, but soon deteriorated, so much so that in just 35 years, it was largely unrecognisable. It spent centuries being abused, and eventually underwent extensive restoration from 1978 to 1999, which remains controversial.

Taras Hryhorovych Shevchenko was a Ukrainian artist, poet, writer, and political figure, who lived from 1814 to 1847. While it was his poetry that garnered the most acclaim, his talent for painting drew attention, even from one of the most famous Russian painters of the time, Karl Briullov, who aided Shevchenko in gaining his freedom from serfdom. He was a controversial figure, pushing for the rights of Ukraine’s serfs oppressed by Russian nobility, and he eventually ran afoul of the Russian Emperor, Tsar Nicholas I, leading to exile to the military, and a ban on painting and writing. He was pardoned, but his latter years were unhappy.

Kateryna was painted in the summer of 1842, in oils on canvas, and was created to illustrate his own poem of the same name. The poem tells of the travails of a Ukrainian woman, seduced by a Russian, who leaves her to go to war. She has an illegitimate child, which is seen as dishonourable. Kateryna travels the road to Moscow, eventually finding the father, who refuses to recognise her. She leaves the child by the roadside, and drowns herself in a pond. Not a happy tale.

The Kiss (Lovers) was painted by the Klimt between 1907 and 1908, the highpoint of his “Golden Period”, when he painted a number of works in a similar gilded style. A perfect square, the canvas depicts a couple embracing, their bodies entwined in elaborate robes decorated in a style influenced by both linear constructs of the contemporary Art Nouveau style and the organic forms of the earlier Arts and Crafts movement.

The work is composed of oil paint with applied layers of gold leaf, an aspect that gives it its strikingly modern, yet evocative appearance. The painting is now in the Österreichische Galerie Belvedere museum in the Belvedere palace, Vienna, and is widely considered a masterpiece of the early modern period. It is a symbol of Vienna Jugendstil—Viennese Art Nouveau—and is considered Klimt’s most popular work.

If any year could be described as a traumatic one for Dutch post-impressionist painter Vincent van Gogh, it would be 1889. On 23rd December 1888 he had a breakdown in which he undertook the famous self-mutilation of his left ear. Realising the danger, on 08 May 1889 he admitted himself to the Saint-Paul-de-Mausole lunatic asylum. Painted in early June 1889, Starry Night is his interpretation of the view from his east facing window of his asylum room at Saint-Rémy-de-Provence. It is depicted just before sunrise, and he has added what he considered to be an idealised village in the foreground.

The painting is a 737 x 921 mm oil on canvas and part of a prolific output from the period, which also included such highly regarded works as the Irises, and the blue self-portrait. The Starry Sky work currently resides in New York at the Museum of Modern Art, where it has done so since 1941. It is considered not only one of Van Gogh’s best works, but one of the finest in history.